Acquiesced Perception, 2021.
Three-Channel Video
absence, emptiness, and indifference is constantly present
Acquiesced Perception examines the interconnections within the spectrum of perceptions in relation to works of art.
The project investigates the correlation between the artist and the viewer through EEG (electrical activity of the brain) and furthers the examination through textual narratives. Through a coherently artistic and scientific approach, the project permeates the obscurity embedded within the perceptual constructs of human creations.
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Investigating the relationship between the work of art, the creator, and the viewer.
What is an image? What is its relationship with an object? What is being made perceptible, and how does the visualization vary amongst shifting perspectives? The answers to these questions are inherently manifold and subject to change.
The perception of things by the observer often becomes inherently accepted without any suspicion.
意在探究艺术作品，其作者，以及其观众之间的关系。
何为图像？图像和物品之间又有怎样的联系？是什么使作品能被感知到？视觉感受又如何随着各种观察视角而变化？关于这些问题的回答根本上是复杂且多变的。
观看者时常自然就接受对于事物的感受，而不加任何怀疑。
《默许的感知》希望能审视关于艺术作品的感受在其范围内的相互联结。此次项目意在通过精神意象（的观察）发起对于艺术家和观看者之间的研究，以及深入对于文本性叙事方的探索。通过一个兼并艺术和科学观的研究过程，本次项目希望能刺透（透视/触及/刺破）一种嵌入在人类创造品中，包含在感官结构的晦涩。
